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Maja Ozvaldic

                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        

               

  

   

INSIDE OUT
         

     

The European Capital of Culture is a  city designated by the European Union for a period of one year during which it  is given a chance to showcase its cultural life and cultural development. A  number of European cities have used the City of Culture year to transform their  cultural base and, in doing so, the way in which they are viewed  internationally. With the aim of arousing citizens‚ interest and facilitating  the long-term cultural development of the city, actions are taken to restore  local heritage and create new facilities are as generators for that steady  cultural growth and flourishing cultural tourism.
        What interests me is the urban development of parts in  cities that are in the process of cultural evolution. As a consequence of such  evolution, society and city structures start to transform. This process  operates with unexploited city parts and revitalizes them so, that they become  new attractors (acupuncture urbanism) for cultural development. Therefore the  goal is to redesign an urban situation to stimulate cultural development of the  city and region‚s cultural tourism.

     

My thesis  project is a performing art center fort the city of Guimaraes,  which is a town of 160.000 inhabitants in Portugal.
        My site is  approximately 200 meter away from the historic city center in a 19th  century industrial neighborhood.
        The  program is structured into four volumes that are distributed on the site. The  volumes are echoing the scale of the surrounding. This first system follows the  perimeter of the site and creates a continuous decisive edge. From the street  the building appears as one entity.
        Nested  within the first system is a second system that defines the interior passage.  At the center it is a roof that spans the exterior ball room. From there it divides  and creates the inner envelope of the theatre while in the other direction it  branches out and inserts itself between the volumes as façade and roofs of the passage-way.
        The  central space which I call the exterior ball room is a performance space but at  the same time it is a covered outdoor lobby for the theatre, the auditorium and  exhibition space. The educational part consists out of dance studios and music  spaces which are stacked onto three floors.
        Both  systems share the same structural principle of a steel egg-crate, but the  structure is more expressed in the second system.
    The  outside surface is claded with ceramic panels.   In the passage area I use the same materials but with different shades  of white ( white to gray). The main atmospheric effect will be the way light  and shadow interacts with this surfaces.      

                                                                                          

 

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